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	<title>Chris Castiglione &#187; Articles</title>
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	<link>http://www.ccastig.com</link>
	<description>Chris Castiglione, New Media, Development, Music, University of Amsterdam, New York City</description>
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		<title>Get stoked on Web Typography @ SXSW &#8217;10</title>
		<link>http://www.ccastig.com/2010/03/21/stoked-web-typography-sxsw-10/</link>
		<comments>http://www.ccastig.com/2010/03/21/stoked-web-typography-sxsw-10/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 03:54:14 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[samantha warren]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[SXSWi]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1095</guid>
		<description><![CDATA[Samantha Warren is a typography evangelist (like the Billy Graham of font). Her talk at SXSW on Wednesday entitled &#8220;Get stoked on Web Typography&#8221; was a passionate exhortation on the art of creating and choosing fonts. Warren emboldened the audience to be daring, &#8220;There really isn&#8217;t a long history of web typography, we are at [...]]]></description>
			<content:encoded><![CDATA[<p>Samantha Warren is a typography evangelist (like the Billy Graham  of font). Her talk at SXSW on Wednesday entitled &#8220;<a href="http://my.sxsw.com/events/event/712" target="_blank">Get stoked on Web Typography</a>&#8221; was a passionate exhortation on the art of creating and choosing fonts.</p>
<p>Warren emboldened the audience to be daring,  &#8220;There really isn&#8217;t a long history of web typography, we are at the  beginning of the web font revolution, and we can all be a part of the  revolution.&#8221;</p>
<p>She noticed that in most of her favorite designs  there was &#8220;no Arial&#8221;, and &#8220;no Georgia&#8221;. &#8220;The difference between Arial  and Habano is rock &amp; roll&#8221;, she affirms, pointing to recent album cover art from  My Morning Jacket. Compare the two images yourself: on the left is the  original My Morning Jacket cover with the Habano font, on the right is  an example where Warren substituted the text with Arial.</p>
<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/mymorningjacket.jpg" rel="lightbox[1095]"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1099" title="My Morning Jacket artwork with both Habano and Arial font / SXSW" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/mymorningjacket.jpg" alt="" width="493" height="333" /></a></p>
<p>&#8220;A  question I often hear from designers and developers is, &#8216;How do you pick  a font&#8217;&#8221;, she admitted. &#8220;It&#8217;s a difficult questions to answer, but I  like to think of it as &#8216;How do you choose a pair of shoes?&#8217; I think  about the weather and my schedule for the day. Shoes just go with  people!&#8221;</p>
<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/crocs.jpg" rel="lightbox[1095]"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1103" title="crocs" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/crocs.jpg" alt="" width="500" height="330" /></a></p>
<p>&#8220;This woman is wearing crocks, they are practical and they match, but they just really fit her style.&#8221;</p>
<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/helvetica_shoes.jpg"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1104" title="helvetica shoes" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/helvetica_shoes.jpg" alt="" width="500" height="330" /><br />
</a>&#8220;These are my Helvetica shoes.They go with just about anything. I&#8217;ve  worn them on interviews, to dinner, or just hanging out with friends&#8221;</p>
<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/archer.jpg" rel="lightbox[1095]"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1105" title="archer" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/archer.jpg" alt="" width="499" height="203" /></a></p>
<p>&#8220;Archer is a font that everyone is using these days. If you&#8217;re trying to  communicate &#8216;friendly and approachable&#8217;, and if you want to  say it the same way that Converse is saying it, then use Archer.&#8221;</p>
<p>Until recent years, web developers were stuck using only web-safe fonts (like Arial and Georgia!). But now <a href="http://wiki.novemberborn.net/sifr/" target="_blank">sIFR</a> and (more preferably) <a href="http://cufon.shoqolate.com/generate/" target="_blank">cufon</a> are challenging developers to use non-standard fonts: to beautify and challenge design conventions on the web. This is Warren&#8217;s call for action: stop being so agnostic, 2010 is the year to &#8220;get stoked on web typography&#8221;.</p>
<p>Samantha&#8217;s slides from the presentation are on <a href="http://www.slideshare.net/SamanthaWarren/sxsw-2010" target="_blank">SlideShare</a>:</p>
<div id="__ss_3437251" style="width: 425px;"><strong style="display: block; margin: 12px 0 4px;"><a title="Get Stoked on Web Typography SXSW 2010" href="http://www.slideshare.net/SamanthaWarren/sxsw-2010">Get Stoked on Web Typography SXSW 2010</a></strong><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="355" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><param name="src" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=sxsw2010-100315121547-phpapp01&amp;stripped_title=sxsw-2010" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="355" src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=sxsw2010-100315121547-phpapp01&amp;stripped_title=sxsw-2010" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>&#8230;her blog is <a href="http://badassideas.com" target="_blank">badassideas.com</a> and you can follow her on Twitter: @<a href="http://twitter.com/samanthatoy" target="_blank">samanthatoy</a></p>
</div>
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		<title>Get Dad on Foursquare, Twitter, and Facebook Mobile (from Any Phone)</title>
		<link>http://www.ccastig.com/2010/03/21/foursquare-twitter-facebook-phone/</link>
		<comments>http://www.ccastig.com/2010/03/21/foursquare-twitter-facebook-phone/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 01:15:22 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[32665]]></category>
		<category><![CDATA[40404]]></category>
		<category><![CDATA[50500]]></category>
		<category><![CDATA[any phone]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[foursquare]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[SMS]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[SXSWi]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1152</guid>
		<description><![CDATA[In the day between SXSW Interactive and SXSW Music the private, open-bar parties of Interactive end, and the streets light up like Mardi Gras. The other dramatic change I noticed? When I checked into The Driskill during SXSW Interactive, foursquare altered me, Via Foursquare: &#8220;You are checked in with 250 other people&#8221; But one day [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/foursquare-sms-cellphone.jpg" rel="lightbox[1152]"><img style=' float: right; padding: 4px; margin: 0 0 2px 7px;'  class="size-full wp-image-1171 alignright" title="foursquare-sms-cellphone" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/foursquare-sms-cellphone.jpg" alt="" width="300" height="228" /></a>In the day between SXSW Interactive and SXSW Music the private, open-bar parties of Interactive end, and the streets light up like Mardi Gras.</p>
<p>The other dramatic change I noticed?</p>
<p>When I checked into The Driskill during SXSW Interactive, foursquare altered me,</p>
<p><em><strong>Via Foursquare: </strong>&#8220;You are checked in with 250 other people&#8221;</em></p>
<p>But one day later during SXSW Music I received a paltry,</p>
<p><em><strong>Via Foursquare: </strong></em><em>&#8220;You are checked in with 6 other people.&#8221;</em></p>
<p>What changed? The hotel was just as crowded, if not more so during music, but it&#8217;s pretty obvious that the music folk are less inclined to geek-out. I was surprised how many of my friends, ones who even had foursquare and Twitter accounts, didn&#8217;t really understand how to use them, or how they could be valuable to their business. Also, I was surprised how many of my friends had normal cell phones where the only app was SMS.</p>
<p>So, I&#8217;d like to share how you can get involved with foursquare, Twitter and Facebook using any mobile phone.</p>
<h3>foursquare</h3>
<blockquote><p>1) Sign up for a <a href="http://foursquare.com" target="_blank">foursquare account</a></p>
<p>2) Sign in and click &#8220;Settings&#8221; -&gt; Under Account Info click &#8220;edit&#8221; -&gt; Add your phone number</p>
<p>3) Check-in via a text to 50500 (like this:  @ Starbucks ! Spending too much money on coffee.)</p>
<p>Extras: From the web, you can visit the <a href="http://foursquare.com/mobile/" target="_blank">mobile address on the web</a> to check-in, or use the desktop application <a href="http://codebutler.github.com/foursquarex/" target="_blank">FoursquareX</a> which has a cool map view and plots your friend&#8217;s avatars around your location. (note: the SMS feature is only available in the US at the moment).</p></blockquote>
<h3>Twitter</h3>
<blockquote><p>1) Sign up for a <a href="https://twitter.com/" target="_blank">Twitter account</a> (duh)</p>
<p>2) &#8220;Settings&#8221; -&gt; &#8220;Mobile&#8221; -&gt; Add your mobile number</p>
<p>3) Send an SMS to Twitter at: 40404 (<a href="http://help.twitter.com/entries/14226-how-to-find-your-twitter-short-long-code" target="_blank">or for an international numbers</a>)</p>
<p>4) Go back to &#8220;Settings&#8221; -&gt; &#8220;Mobile&#8221; to decide who you will receive tweets from, or you can set it up as DMs only</p></blockquote>
<h3>Facebook</h3>
<blockquote><p>1) &#8220;Account settings&#8221; -&gt; &#8220;Mobile&#8221; -&gt; Add your number and preferences, click save</p>
<p>2) SMS &#8220;f&#8221; (with the quotes) to 32665 (FBOOK)</p>
<p>3) After you receive the confirmation text your status to 32665 &#8220;@ OMG. I&#8217;m Awesome&#8221;</p></blockquote>
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		<title>Microsoft Bing: Behind the Scenes of The Decision Engine @ SXSW</title>
		<link>http://www.ccastig.com/2010/03/21/microsoft-bing-scenes-decision-engine-sxsw/</link>
		<comments>http://www.ccastig.com/2010/03/21/microsoft-bing-scenes-decision-engine-sxsw/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 00:23:23 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[Behind the Scenes]]></category>
		<category><![CDATA[Bing]]></category>
		<category><![CDATA[Microsoft]]></category>
		<category><![CDATA[Panel]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[SXSWi]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1132</guid>
		<description><![CDATA[The best opening slide of any panel at SXSW 2010 goes to BING: As of March 2010, BING has 11.5% share (and growing) of the U.S. search market &#8211; which is a fairly big deal. So, how did they convince people that they needed Bing? &#8220;We knew people were really happy with Google. So we [...]]]></description>
			<content:encoded><![CDATA[<p>The best opening slide of any panel at SXSW 2010 goes to BING:</p>
<p style="text-align: center;"><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/Bing-SXSW.png" rel="lightbox[1132]"></a><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/Bing-SXSW-e1269828671700.png" rel="lightbox[1132]"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1136" title="Bing @ SXSW: &quot;Admit it: You Thought it was Going to Suck&quot;" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/Bing-SXSW-e1269828671700.png" alt="" width="360" height="248" /></a></p>
<p>As of March 2010, BING has 11.5% share (and growing) of the U.S. search  market &#8211; which is a fairly big deal. So, how did they convince people  that they needed Bing?</p>
<p>&#8220;We knew people were really happy with Google. So we asked ourselves, &#8216;How can we introduce a product that no body thinks they need?&#8217;, began Stefan Weitz (Director of Search at Microsoft). For the first time, the team fearlessly dove into these types of questions in a public panel: what followed was a degree of candor and humanness that&#8217;d I don&#8217;t think anyone would ever associate with Microsoft.</p>
<h3><strong>Bing and Farmville</strong></h3>
<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/BING-Farmville-SXSW.png" rel="lightbox[1132]"><img style=' float: right; padding: 4px; margin: 0 0 2px 7px;'  class="alignright size-medium wp-image-1135" title="BING Farmville SXSW" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/BING-Farmville-SXSW-300x209.png" alt="" width="300" height="209" /></a></p>
<p>Bing used a Cost-Per-Engagement (<a href="http://en.wikipedia.org/wiki/Cost_per_engagement" target="_blank">CPE</a>) model (as opposed to the traditional <a href="http://en.wikipedia.org/wiki/Cost_per_impression" target="_blank">CPM</a> model) as a way to engage with their audience:</p>
<p>The fact is, more people use Farmville than Twitter. And they use in a different way, &#8220;more like a drug&#8221;. This gave the Bing team the idea to use the Farmville platform as a way to tell people about Bing. So, in exchange for learning a little bit about  Bing, they offered fans some extra Farmville cash.</p>
<p><strong>Bing&#8217;s results from using a CPE model with Farmville:</strong></p>
<ul>
<li>Over 72% of users who clicked on the engagement became fans</li>
<li>59,000 users published the story to their newsfeed, extending the message across their network.</li>
<li>Over 70,070 clicks were received on published feeds; on average each published story received more than 1 click.</li>
<li>We received 400,000 new fans on Facebook within the first 24 hours</li>
</ul>
<p>&#8220;The amount of engagement and feedback we received just from this community was enormous, because these people got exposed to us in a way that mattered to them. We&#8217;re not necessary moving past the CPM model, but there is something very important about cost per engagement&#8221;, explained the team.</p>
<h3><strong>Bing #Win, Big #Fail</strong></h3>
<p>The Bing team told stories of their triumphs: like the <a href="http://www.youtube.com/watch?v=C4syTbxZhF8" target="_blank">Bing Jingle Contest</a> which was &#8220;something we just did as a lark&#8221;, yet resulted in a swarm of great press. #Win</p>
<p>But shortly after, when a group of high schoolers planned to perform the Bing jingle, the Bing team &#8220;innocently&#8221; shipped them a box of tshirts. Weitz explained the problem, &#8220;We saw this as an opportunity to engage with these students, but we went over the line. It felt inauthentic and overproduced. And when the video surfaced on Youtube we received a lot of negative press.&#8221; #Fail</p>
<h3><strong>5 Social Marketing Lessons From The Launch of Bing</strong></h3>
<p>1) <strong>You know nothing. </strong>Social media is one of the wackiest eco systems in the world,  comparable to when the butterfly flaps its wing. The media circles that we gave the most attention to weren&#8217;t the same ones that gave us the most coverage and exposure.</p>
<p>2) <strong>When you screw up. Admit it quickly. </strong>Bing tweeted an ad for Victoria Secret&#8217;s mentioning that the girls were giving &#8220;VD advice&#8221; (Valentine&#8217;s day?). &#8220;What would have been a PR disaster 10 years ago, was covered up in 10 minutes by apologizing: &#8216;Oops! Our mistake.&#8217; We laughed along with the Twittersphere and they calmed down.&#8221;</p>
<p>3) <strong>Have personality. </strong>As an example they give Zappos&#8217; amazingly funny <a href="http://www.youtube.com/watch?v=3f-hr1iWNyI" target="_blank">Social Media Guru video</a>.</p>
<p>4) <strong>People want stories, not feature lists. </strong>The Bing team received an email from a 100-year old Cardiologist in Florida which read,&#8221;I want to thank you for naming your search engine after me.&#8221; To which they thought, &#8220;Well, clearly this person is crazy.&#8221; They followed up on the story, and met with Dr. Bing in Florida, only to find that not only was he unbelievably sane, but full of fascinating stories. The team went on to commission a documentary <a href="http://www.youtube.com/watch?v=EewKOQhdvHM" target="_blank">about his life</a> which was shown at Sundance last year.</p>
<p>5) <strong>Give a Shit. </strong>People know when you&#8217;re not being authentic. People know when you&#8217;re pitching them.</p>
<p>The BING panel at SXSW: <a href="http://twitter.com/aaronlilly" target="_blank">Aaron Lilly</a>, Lynn Girotto, <a href="http://www.twitter.com" target="_blank">Stefan Weitz</a>, <a href="http://twitter.com/ischafer" target="_blank">Ian Schafer</a></p>
<p><a href="http://twitter.com/ischafer" target="_blank"></a><a href="http://www.slideshare.net/stefanweitz/bing-sxsw-3527621" target="_blank">Slides are available on SlideShare</a>.</p>
<p>More information about the <a href="http://my.sxsw.com/events/event/2685" target="_blank">BING panel can be found on the SXSW site</a>.</p>
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		<title>Gmail: Behind the Scenes @ SXSW &#8217;10</title>
		<link>http://www.ccastig.com/2010/03/21/gmail-scenes-sxsw/</link>
		<comments>http://www.ccastig.com/2010/03/21/gmail-scenes-sxsw/#comments</comments>
		<pubDate>Sun, 21 Mar 2010 20:43:48 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[Arielle Reinstein]]></category>
		<category><![CDATA[Braden Kowitz]]></category>
		<category><![CDATA[Edward Ho]]></category>
		<category><![CDATA[GMAIL]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Jonathan Perlow]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[SXSWi]]></category>
		<category><![CDATA[Todd Jackson]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1111</guid>
		<description><![CDATA[Meeting the team behind Gmail felt a bit like meeting the Wizard of Oz (except without all that evil stuff along the yellow brick road, right?). Regardless of which side of the Google debate you stand, it would be hard not to appreciate the honest and insightful musings of the Gmail team. Here are just [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/gmail-sxsw.jpg" rel="lightbox[1111]"><img style=' float: right; padding: 4px; margin: 0 0 2px 7px;'  class="alignright  size-medium wp-image-1112" title="gmail behind the scenes at sxsw 2010" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/gmail-sxsw-300x225.jpg" alt="" width="300" height="225" /></a>Meeting the team behind Gmail felt a bit like meeting the Wizard of Oz (except without all that evil stuff along the yellow brick road, right?). Regardless of which side of the Google debate you stand, it would be hard not to appreciate the honest and insightful musings of the Gmail team. Here are just a few of the highlights from <a href="http://panelpicker.sxsw.com/ideas/view/4094" target="_blank">Gmail: Behind the Scenes</a>:</p>
<p>*<strong>On Gmail invitations: </strong>&#8220;The invite model wasn&#8217;t a marketing idea,  we were just afraid that it wouldn&#8217;t scale it. It&#8217;s interesting that  now this model is being used by other companies as a marketing  strategy.&#8221;</p>
<p><strong>*On project management: &#8220;</strong>One thing we do to  make the projects fun is give it nick names. Like, for one project it  was called &#8220;taco town&#8221;!  Having nick names like this gave us a sense of  community through laughter: it made it fun to say things like, &#8220;Let&#8217;s  take a look at &#8216;spicy chilli chese&#8217;&#8221;.</p>
<p>*<strong>On criticism</strong>: After  hearing danah boyd&#8217;s criticism of Google Buzz and Privacy at  yesterday&#8217;s SXSW keynote (i.e. &#8220;google assumed that people wanted their  social network in their email&#8221;) the GMAIL team admitted to their  mistakes and has decided to invite her to speak at the Googleplex in the  near future.</p>
<p>*<strong>On the power of visual persuasion: </strong>&#8220;People  thought that Gmail got faster when we changed the color.&#8221;</p>
<p>*<strong>On the speed of Gmail</strong>: The team discussed at length their strategy to improve latency issues within Gmail. Essentially speed is always top priority: all new features go through testing to make sure latency isn&#8217;t added  along with the feature. Added latency can kill a new feature. Latency (along with debugging) is one of the critical reasons they deployed Google Labs (allowing users to add/test new features).</p>
<p><strong>*On technology: </strong>&#8220;We have this amazing technology called &#8216;work really, really hard&#8217;&#8221;.</p>
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		<title>Trials and Tribulations of the Pirate Bay with co-founder Peter Sunde @ SXSW 2010</title>
		<link>http://www.ccastig.com/2010/03/21/trials-tribulations-pirate-bay-cofounder-peter-sundre-sxsw-2010/</link>
		<comments>http://www.ccastig.com/2010/03/21/trials-tribulations-pirate-bay-cofounder-peter-sundre-sxsw-2010/#comments</comments>
		<pubDate>Sun, 21 Mar 2010 09:29:28 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[Elizabeth Stark]]></category>
		<category><![CDATA[Peter Sunde]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[SXSWi]]></category>
		<category><![CDATA[The Pirate Bay]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1146</guid>
		<description><![CDATA[Elizabeth Stark interviewed The Pirate Bay co-founder Peter Sunde via Skype at this year&#8217;s SXSW. There is a (decent quality) video that I posted here on Vimeo, and below I&#8217;ve listed a few of the highlights. Why didn&#8217;t you come to SXSW in person? &#8220;If I come to the US I will get so sued [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://twitter.com/Starkness" target="_blank">Elizabeth Stark</a> interviewed The Pirate Bay co-founder Peter Sunde via Skype at this year&#8217;s SXSW. There is a (decent quality) video that <a href="http://vimeo.com/10313637" target="_blank">I posted here on Vimeo</a>, and below I&#8217;ve listed a few of the highlights.</p>
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<p><strong>Why didn&#8217;t you come to SXSW in person? </strong><br />
&#8220;If I come to the US I will get so sued that I won&#8217;t get out of the US for quite a while.&#8221;</p>
<p><strong>Could The Pirate Bay be shutdown now?</strong><br />
&#8220;No, you&#8217;d have to shut down the domain or something, but even then it&#8217;d become &#8216;thepiratebay2&#8242; or &#8216;dotpiratebay&#8217;. So it&#8217;s really not possible.&#8221;</p>
<p><strong>Are you going to end up in jail?<br />
<span style="font-weight: normal;">&#8220;No we&#8217;re not going to end up in jail. There is no question about it, we&#8217;re going to win the appeal. And if we don&#8217;t win in the appeal, then there is another appeal, and another appeal.&#8221;</span></strong></p>
<p><strong>Will The Pirate Bay ever release its source code?</strong><br />
&#8220;I wouldn&#8217;t ever want that because it sucks. But if you did you could just ask the police. It&#8217;s public info and they have it and you could talk to that person, but the person in charge of that investigation works for Warner Brothers so good luck.&#8221;</p>
<p><strong>What do you do for a living since you have no money?</strong><br />
&#8220;We got seed capital for <a href="http://flattr.com/" target="_blank">flattr</a> about a week ago, until then we couldn&#8217;t afford chairs. And so now we have chairs.&#8221;</p>
<p><strong>What is the future of The Pirate Bay?</strong><br />
&#8220;There is nothing going on our side, there is no one still working with it. I think it has a soul, that reboots itself from time to time. And as far as acquisitions, there is nothing happening. It just kind of died out.&#8221;</p>
<p><strong>Is the Pirate Bay Evil? </strong><br />
&#8220;Not everything people do is good – people make Coca Cola and some people want it and some people don&#8217;t, but we don&#8217;t outlaw it.&#8221;</p>
<p><strong>So is the Pirate Bay like Coca-Cola?<br />
<span style="font-weight: normal;">&#8220;No, the Pirate Bay is more like sugar – it&#8217;s bad for you but you can&#8217;t stop using it. Bad because you get sued for it&#8221;</span></strong></p>
<p><strong><br />
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		<title>Creative Commons Salon NYC</title>
		<link>http://www.ccastig.com/2010/03/04/creative-commons-salon-nyc/</link>
		<comments>http://www.ccastig.com/2010/03/04/creative-commons-salon-nyc/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 04:56:51 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[Arvind Grover]]></category>
		<category><![CDATA[Creative Commons]]></category>
		<category><![CDATA[David Bill]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[Eric Frank]]></category>
		<category><![CDATA[Flat World Knowledge]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[Salon]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1062</guid>
		<description><![CDATA[The first ever Creative Commons Salon with a focus on &#8220;opening education&#8221; took place last night in a spacious penthouse suite atop an office building in Soho. Three presentations, each running about one-hour, demonstrated a few ways that teachers are leveraging the power of CC licenses to make education more accessible to both students and [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.flickr.com/photos/arvindgrover/4407079024/" target="_blank"><img style=' float: right; padding: 4px; margin: 0 0 2px 7px;'  class="alignright size-medium wp-image-1063" title="creative  commons salon nyc 2" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/creative-commons-salon-nyc-2-225x300.jpg" alt="" width="225" height="300" /></a>The first ever <a href="http://wiki.creativecommons.org/NYC_Salon" target="_blank">Creative Commons Salon </a>with a focus on &#8220;opening education&#8221; took place last night  in a spacious penthouse suite atop an office building in Soho. Three presentations, each running about one-hour, demonstrated a few ways that teachers are leveraging the power of CC licenses to make education more accessible to both students and the public at large.</p>
<p>Eric Frank began the night with a detailed explanation about his mission to make online text books for university students free and affordable. Frank co-founded the company <a href="http://www.flatworldknowledge.com/" target="_blank">Flat World Knowledge</a> which claims to offer  &#8220;online books by leading experts, peer-reviewed and free.&#8221;  He pointedly addressed the problem as one that reaches beyond the frugal student:</p>
<blockquote><p>The textbook industry is supporting a disruptive business model in which the burden is not only put on students, but is just as equally felt by teachers. In order to turn a profit the publishers push out new editions of text books &#8211; almost annually. This forces teachers to restructure their lesson plans.</p></blockquote>
<p><a href="http://www.flickr.com/photos/arvindgrover/4407078560/" target="_blank"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="size-medium wp-image-1068 alignleft" title="creative commons salon - Flat World Knowledge" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/creative-commons-salon-nyc-11-300x225.jpg" alt="" width="300" height="225" /></a>Flat World Knowledge offers their books under a freemium model: the online copy is free for everyone, a printed copy runs about $40 (and all the content is distributed under a CC license). The concept was loudly applauded by the audience, but during the Q&amp;A there were many questions regarding the credibility of the authors and the quality of the peer-review.</p>
<p>One key element missing from the Flat World Knowledge library is that they will never be able to share books that are already under copyright (which is about 99% of all texts).  And it&#8217;s here that Google Book Search &#8211; which brazenly vows &#8220;to organize all the [books in the worlds'] information and make it universally accessible and useful&#8221; &#8211; could potentially cut deep into the future of online textbooks. With only 20 text books available at the moment, Flat World Knowledge has an ambitious road ahead of them. But perhaps by focusing on one field (whether it&#8217;s economics, foreign languages or history) they would be able to focus and lead that particular segment.</p>
<p>Later in the evening Neeru Paharia presented her work in developing the free online university: Peer 2 Peer University. More info about P2PU is available at the site: <a href="http://p2pu.org/" target="_blank">http://p2pu.org/</a></p>
<p>Paharia was followed by a panel of K-12 technologists/educators: <a href="http://www.davidbill.org/" target="_blank">David Bill</a> and <a href="http://www.21apples.org/" target="_blank"><span>Arvind Grover</span></a> &#8211; who also happen to be organizers for this weekend&#8217;s <a href="http://tedxnyed.com/" target="_blank">TEDxNYED</a> event &#8211; and Kerri Richardson Redding, Director of Academic Technology at the Brooklyn Friends School. One of the most fascinating parts of this conversation was the stories from the classroom. Grover explained,</p>
<blockquote><p>Our kids were REALLY confused about citations. They don&#8217;t really know the difference between Google and the places that Google takes you. This girl had done a wonderful job on this poetry project, and at the end of this long paper she had one citation: &#8216;Google.com&#8217;.</p></blockquote>
<p>Grover teaches lessons about Creative Commons and copyright in the classroom precisely because in a multi-modal, remix society, knowing how to propery attribute a creative work to it&#8217;s original author is essential with how we communicate and share ideas. Grover continued with a anecdote about when his students were asked to be the creators,</p>
<blockquote><p>When my students began the project they&#8217;d say things like, &#8220;I want to be paid for my work&#8221;, and &#8220;We&#8217;re going to make a million dollars!&#8221; So in this situation, as the creator, they&#8217;re quick to opt for traditional copyright.</p></blockquote>
<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2010/03/key-lock.png" rel="lightbox[1062]"><img style=' float: right; padding: 4px; margin: 0 0 2px 7px;'  class="size-medium wp-image-1069 alignright" title="key lock" src="http://www.ccastig.com/wp/wp-content/uploads/2010/03/key-lock-300x201.png" alt="" width="300" height="201" /></a>He introduced <a href="http://www.fotopedia.com/users/ninasophia">one example of a girl</a> who took a picture of a lock (see photo) and continued, &#8220;but then we debated whether someone will really pay money&#8230; for THIS! (referring to the picture of the lock). In his classroom he didn&#8217;t force his students to adopt a Creative Commons license, but eventually he found that his students would rather share their work and be part of something. &#8220;The biggest thing for students is being part of something&#8221;, concluded Grover, &#8220;And they &#8211; more so than their parents &#8211; came to understand that there is value in sharing content under a Creative Commons license.&#8221;</p>
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		<title>The Black Eyed Peas</title>
		<link>http://www.ccastig.com/2010/02/17/black-eyed-peas-tour-blog-presented-bacardi/</link>
		<comments>http://www.ccastig.com/2010/02/17/black-eyed-peas-tour-blog-presented-bacardi/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 07:55:03 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[website]]></category>
		<category><![CDATA[bacardi]]></category>
		<category><![CDATA[black eyed peas]]></category>
		<category><![CDATA[maverick digital]]></category>
		<category><![CDATA[wordpress]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1049</guid>
		<description><![CDATA[Client: The Black Eyed Peas / Bacardi Agency: Maverick Digital Responsibilities: WordPress, CSS, PHP, Photoshop Project Description: The official tour blog for the Black Eyed Peas&#8217; E.N.D Tour URL: http://www.theendtour.com]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1240" title="black-eyed-peas-end-tour" src="http://www.ccastig.com/wp/wp-content/uploads/2010/02/black-eyed-peas-end-tour.jpg" alt="" width="475" height="292" /></p>
<p class="title1"><strong>Client</strong>: The Black Eyed Peas / Bacardi<br />
<strong>Agency</strong>: Maverick Digital <strong><br />
Responsibilities</strong>: WordPress, CSS, PHP, Photoshop<br />
<strong>Project Description:</strong> The official tour blog for the Black Eyed Peas&#8217; E.N.D Tour<br />
<strong>URL: </strong><a href="http://www.theendtour.com" target="_blank">http://www.theendtour.com</a></p>
<p class="title1"><strong><br />
</strong></p>
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		<title>American Express</title>
		<link>http://www.ccastig.com/2010/01/30/american-express/</link>
		<comments>http://www.ccastig.com/2010/01/30/american-express/#comments</comments>
		<pubDate>Sat, 30 Jan 2010 15:05:13 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[website]]></category>
		<category><![CDATA[American Express]]></category>
		<category><![CDATA[AMEX]]></category>
		<category><![CDATA[css]]></category>
		<category><![CDATA[Photoshop]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1239</guid>
		<description><![CDATA[Client: American Express Responsibilities: Project Management, CSS, Photoshop, HTML Project Description: Developing the monthly email newsletter for American Express.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter size-full wp-image-1243" title="american-express" src="http://www.ccastig.com/wp/wp-content/uploads/2010/01/american-express.jpg" alt="" width="475" height="292" /></p>
<p class="title1"><strong>Client</strong>: American Express<strong><br />
Responsibilities</strong>: Project Management, CSS, Photoshop, HTML<br />
<strong>Project Description: </strong>Developing the monthly email newsletter for American Express.</p>
]]></content:encoded>
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		<title>The Urban Screens Conference</title>
		<link>http://www.ccastig.com/2009/12/12/the-urban-screens-conference/</link>
		<comments>http://www.ccastig.com/2009/12/12/the-urban-screens-conference/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 03:03:00 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[cell phone disco]]></category>
		<category><![CDATA[mediaLAB]]></category>
		<category><![CDATA[urban screens]]></category>
		<category><![CDATA[urbanscreens]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=986</guid>
		<description><![CDATA[On December 4, the Institute of Network Culture organized the Urban Screens conference at Trouw in Amsterdam. The conference celebrated the launch of The Urban Screens Reader: the first book to focus entirely on the topic of urban screens. In assembling contributions from a range of leading theorists, in conjunction with a series of case [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ccastig.com/wp/wp-content/uploads/2009/12/cell-phone-disco1.jpg" rel="lightbox[986]"><img style=' float: right; padding: 4px; margin: 0 0 2px 7px;'  class="alignright size-medium wp-image-990" title="cell-phone-disco" src="http://www.ccastig.com/wp/wp-content/uploads/2009/12/cell-phone-disco1-300x254.jpg" alt="cell-phone-disco" width="300" height="254" /></a>On December 4, the <a href="http://networkcultures.org/" target="_blank">Institute of Network Culture</a> organized the Urban Screens conference at Trouw in Amsterdam. The conference celebrated the launch of <a href="http://networkcultures.org/wpmu/urbanscreens/2009/12/15/urban-screens-reader-order-now/" target="_blank">The Urban Screens Reader</a>: the first book to focus entirely on the topic of urban screens. In assembling contributions from a range of leading theorists, in conjunction with a series of case studies dealing with artists’ projects and screen operators’ and curators’ experiences, the reader offers a rich resource for those interested in the intersections between digital media, cultural practices and urban space.</p>
<p>Thanks to all the speakers and participants for their great contributions to this event! The videos will be online soon, and many of our reports are already online:</p>
<ul>
<li><a href="http://networkcultures.org/wpmu/urbanscreens/2009/12/04/matthijs-ten-berge-find-ways-that-we-can-engage-us-with-our-public-space/" target="_blank">Matthijs ten Berge, “Find ways that we can engage us with our public space”</a></li>
<li><a href="http://networkcultures.org/wpmu/urbanscreens/2009/12/04/martijn-de-waal-improving-cultural-public-space/" target="_blank">Martijn de Waal, Improving Cultural Public Space</a></li>
<li><a href="http://networkcultures.org/wpmu/urbanscreens/2009/12/10/gijs-gootjes-medialab-amsterdam/" target="_blank">Gijs Gootjes &amp; MediaLAB Amsterdam</a></li>
<li> <a href="http://networkcultures.org/wpmu/urbanscreens/2009/12/10/cell-phone-disco-urban-screens/" target="_blank">Cell Phone Disco @ Urban Screens</a></li>
</ul>
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		<title>TEDx Amsterdam</title>
		<link>http://www.ccastig.com/2009/11/29/tedx-amsterdam/</link>
		<comments>http://www.ccastig.com/2009/11/29/tedx-amsterdam/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 06:30:55 +0000</pubDate>
		<dc:creator>Chris Castiglione</dc:creator>
				<category><![CDATA[articles]]></category>
		<category><![CDATA[Amsterdam]]></category>
		<category><![CDATA[TEDx]]></category>
		<category><![CDATA[TEDxAms]]></category>

		<guid isPermaLink="false">http://www.ccastig.com/?p=1037</guid>
		<description><![CDATA[Some photos from TEDx Amsterdam (and TEDx Brussels). Truly an amazing weekend. My 4-minute video TEDx video can be seen here on the TEDx Amsterdam site.]]></description>
			<content:encoded><![CDATA[<p>Some photos from TEDx Amsterdam (and TEDx Brussels). Truly an amazing weekend. My <a href="http://www.tedx.nl/video/sell-what-cant-be-copied" target="_blank">4-minute video</a> TEDx video can be seen here on the TEDx Amsterdam site.</p>
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